Julia Phillips Wrote a Tell All Autobiography You Will Never Eat Lunch in This Town Again
 Front encompass of the outset edition (hardcover, Random House) | |
| Author | Julia Phillips |
|---|---|
| State | United States |
| Language | English language |
| Genre | Autobiography |
| Published | 1991 (Random Firm) |
| Pages | 573 |
| ISBN | 978-0-394-57574-ii |
| OCLC | 21524019 |
| Dewey Decimal | 791.43/0232/092 B 20 |
| LC Class | PN1998.3.P47 A3 1990 |
You lot'll Never Eat Dejeuner in This Boondocks Again is an autobiography past Julia Phillips, detailing her career as a movie producer and disclosing the power games and debauchery of New Hollywood in the 1970s and 1980s. Information technology was first published in 1991 and became an immediate cause célèbre and bestseller. The book was reissued in 2002 after the author's death.
Background [edit]
In partnership with her husband Michael, Julia Phillips was one of the most successful moving-picture show producers in Hollywood during the 1970s. Their 2nd pic, The Sting, grossed near $160 million and won seven University Awards, making Julia the first woman to win a Best Picture Oscar.[ane] [two] Their third motion-picture show, Taxi Driver, brought them a second Oscar nomination and won the Palme d'Or in 1976. In 1977 they co-produced their about financially successful moving picture, Steven Spielberg'due south $300 million-grossing Close Encounters of the Third Kind.
Nevertheless, Julia had long indulged in a self-destructive lifestyle of excessive drug consumption, and information technology had begun to affect her work. François Truffaut, one of French cinema's most iconic directors and a star of Close Encounters (playing "Claude Lacombe", a French government scientist in charge of UFO-related activities in the United states), blamed her for that film's budget difficulties, and she was eventually fired during post-production considering of her cocaine dependence.[three] [4]
Phillips, by now divorced, spent the post-obit years on a down spiral which included, past her ain business relationship, spending $120,000 on cocaine,[2] [5] before entering therapy to recover from her addiction.[6] Then, in 1988, having been out of Hollywood for eleven years, she sold all her assets to produce The Beat,[6] most a kid in a tough neighbourhood trying to teach verse to local gangs. It was a disquisitional and commercial disaster, grossing less than $v,000 at the box office,[vii] and Phillips turned to penning her scathing memoir to escape her fiscal difficulties.[2] [eight]
Synopsis [edit]
The book begins past briefly introducing the reader to Phillips in 1989, before quickly travelling back to her babyhood in 1940s Brooklyn.[9] It and then covers her early life and first successes in the motion-picture show industry: she and Michael earned $100,000 from their debut feature, Steelyard Dejection, moved to Malibu, California, and had a daughter, Kate.[8] The well-nigh notorious chapters follow as Phillips enjoys her greatest career successes, perhaps most infamously when she recalls the amalgam of drugs she was under the influence of on the night she won her Oscar ("a diet pill, a small amount of coke, two joints, six halves of Valium, and a glass and a half of wine").[ii] [viii] [10] She also reveals the personal peccadillos and vices of the biggest Hollywood A-listers of the 24-hour interval, including Steven Spielberg, Martin Scorsese, Richard Dreyfuss, Goldie Hawn, and David Geffen. Many of these people were pivotal figures in the emergence of New Hollywood in the 1960s and '70s, simply Phillips disparagingly refers to them as "a rogues' gallery of nerds".[6] [eleven] Later episodes in her life, including freebasing, and her abusive relationship with a violent drug addict which caused her to miss her own mother's funeral, are besides discussed candidly.[viii]
"No one ever claimed that [Phillips] had got Hollywood incorrect in her volume. In which case, you accept to requite a little more credence to the theory that Hollywood is prepared to let the guild exist run by raving egotists, indictable rascals, desperate addicts of one thing or several others, betrayers, connivers, hypocrites, and foul-mouthed swine. And then long as they are guys."
David Thomson, The Independent, 13 Jan 2002.[12]
Nearly meaning, from Phillips' own point of view, is her exposé of the "Boys' Social club" in the higher echelons of Hollywood, where she claimed it was her gender that led to her ultimate ostracism.[11] "If I had been a human being, they would accept closed ranks around me", she said, referring to her drug addiction. "They hated the woman matter. And I wasn't fifty-fifty regarded every bit a woman, I was a girl."[5] Writing about her in The Independent in 2002, film critic David Thomson expressed Phillips' attitude equally: "you [Hollywood] guys don't take women seriously; you lot like us around... [but] we aren't allowed to be players".[12] Those aforementioned few men, similar "Valley viper"[13] Mike Ovitz who headed the Artistic Artists Bureau were, in her eyes, responsible for a qualitative decline in standards and the increasing boiler of movies since the 1970s.[4] [xiv]
Reception [edit]
On its release most critics agreed that the book was both scandalous and career-ending. (Fifty-fifty with a quarter of the 1,000-page original manuscript excised,[eight] it took lawyers at Random House fourteen months to corroborate it for publication.[2] [6]) Lewis Cole, in The Nation, described information technology equally existence "[non] written but spat out, a breakneck, formless performance piece...propelled by spite and vanity".[xv] Newsweek'south review called information technology a "573-page primal scream",[16] while i Hollywood producer said it was "the longest suicide note in history".[6] In the 2003 documentary version of Easy Riders, Raging Bulls, based on Peter Biskind'due south 1998 anecdotal history of New Hollywood, Richard Dreyfuss recalled his initial fury at Phillips' revelations, before more circumspectly listening to "a piddling voice within my head [proverb] 'Richard, Richard, the truth was and so much worse'."[17] Despite Phillips' criticisms of Steven Spielberg in the volume, Spielberg even so invited her to a 1997 screening of Shut Encounters of the Third Kind as a way of "keeping his friends close and his enemies closer."[eighteen] Rapper Tupac Shakur misquotes the title of the book in a Vibe interview in 1996, stating briefly that it was ane of the books he read recently. "Y'all'll Never Work Once again in Hollywood, whatever that is that they're talking well-nigh, all the people that slept together." [19]
Afterwards Phillips' death from cancer in 2002 the book was reissued in paperback past Faber and Faber,[20] and gained renewed attending. Tim Appelo wrote in his Salon.com tribute that it was "mordant, merciless, [and] outdid Capote in shrieking truth to corrupt power",[21] while David Thomson of The Independent praised it as "compulsive, hilarious entertainment".[12] [ dead link ]
Commercially, Phillips' memoir became an enormous success. Information technology quickly moved to the top of the New York Times Non Fiction Best Seller list and stayed at No. i for thirteen weeks.[22] [23] Additionally, several prominent Los Angeles bookstore owners reported it to be the fastest-selling book they had ever seen.[8] [13] Only Phillips was excoriated by Hollywood, and her autobiography'due south publication cost her the adventure to accommodate Anne Rice's Interview with a Vampire with David Geffen.[5] [8] [24] Furthermore, in an example of life imitating fine art, pre-eminent Los Angeles eating place Morton'due south fulfilled the book's titular prediction by declining her future patronage.[2] [5]
Soon before her expiry, when asked if she had been also savage in her writing, Phillips replied, "We all have our standards. People behaved in an ugly and despicable mode towards me. I felt no constraints. Nothing I did in my book is every bit mean as any of the people I wrote about."[2] [6] She was similarly unrepentant about her subsequent expatriation, saying, "I wasn't a pariah because I was a drug-addicted, alcoholic, rotten person and not a skillful female parent. I was a pariah because I hitting them with a harsh, fluorescent light and rendered them every bit contemptible as they truly are."[2] [half-dozen]
References [edit]
- ^ "Oscar-winner Phillips dies". BBC. January 3, 2002.
- ^ a b c d due east f g h Weinraub, Bernard (January three, 2002). "Julia Phillips, 57, Producer Who Assailed Hollywood, Dies". The New York Times.
- ^ McBride, Joseph (1997). Steven Spielberg: A Biography . New York City: Simon & Schuster. pp. 528. ISBN978-0-684-81167-3.
- ^ a b Hodgman, George (March 22, 1991). "You'll Never Eat Lunch in This Boondocks Again – Volume Review". Entertainment Weekly.
- ^ a b c d Friedman, Roger (April 12, 1991). "Without Reservations". Amusement Weekly (61).
- ^ a b c d e f g Vallance, Tom (Jan v, 2002). "Julia Phillips – Obituaries, News". The Contained. UK. Archived from the original on February iv, 2011. Retrieved September 19, 2017.
- ^ "The Beat (1988)". Yahoo! Movies. Archived from the original on March 6, 2007.
- ^ a b c d e f grand Wadler, Joyce (March 18, 1991). "A Hollywood Outcast Treats the Stars to An Acid-Dip Memoir". People magazine. 35 (ten).
- ^ Turner, Caroline (December 31, 2002). "Review: You'll Never Eat Lunch in this Town Over again". M2 Best Books.
- ^ "Gilt fever: Oscar night – and how to enjoy it". The Guardian. Uk. March 17, 2000.
- ^ a b Benatar, Giselle (Nov 16, 1990). "'Luncheon' Dish". Amusement Weekly (40).
- ^ a b c Thomson, David (Jan 13, 2002). "Film Studies: Lunch will never exist the same in that boondocks again". The Contained. UK. Archived from the original on June xiv, 2010.
- ^ a b Rohter, Larry (March fourteen, 1991). "Hollywood Memoir Tells All, And Many Don't Want to Hear". The New York Times.
- ^ Bach, Steven (March 17, 1991). "Hollywood Chainsaw Massacre". The New York Times.
- ^ Cole, Lewis (June 1991). "You lot'll Never Eat Lunch in this Town Over again (book reviews)". The Nation.
- ^ Foote, Donna (March 25, 1991). "The Bad And Not And so Beautiful". Newsweek.
- ^ Ansen, David (May viii, 2003). "That '70s Motion picture". Newsweek.
- ^ Dubner, Stephen J. "Steven the Good".
- ^ "Tupac Shakur: The Lost VIBE Interview (May '96)". Vibe.com.
- ^ Yous'll Never Eat Lunch in This Boondocks Once more (Paperback). ASIN 0571216234.
- ^ Appelo, Tim (Jan 17, 2002). "Julia Phillips, queen of the night". Salon.com. Archived from the original on October 27, 2008.
- ^ "Developed New York Times All-time Seller Lists for April vii, 1991" (.pdf). Hawes Publications.
- ^ "Adult New York Times Best Seller Lists for June 23, 1991" (.pdf). Hawes Publications.
- ^ Jacobs, Alexandra (June 7, 1996). "Truth and Consequences". Entertainment Weekly (330).
Source: https://en.wikipedia.org/wiki/You%27ll_Never_Eat_Lunch_in_This_Town_Again
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